window treatments

Curtains and a Canopy for a Double Digits Girl

There is nothing like a big birthday and a move to spark a bedroom re-do. Both of my girls were due for a change, moving from their tiny closet sized bedrooms in Tokyo to their much more expansive bedrooms in Doha. The elder had a plan and a Pinterest board from the beginning. But the younger wasn’t sure of what she wanted when we first moved in. Personally I had a plan in my mind for a full size bed using this wedding noren as part of the bed hangings. Once settled, she had other ideas, mainly a desire to keep as much floor space as possible for play area, so a single bed against the wall made more sense. She quickly commandeered the French iron campaign bed and the painted French armoire from her sister’s room. She wanted to keep her Claire Murray Alphabet Garden hooked rugs (which have since become collectors items I am given to understand) because they are soft and provide interesting backdrops for imaginary play – and even nixed the idea of a Madeline Weinrib dhurrie. Can’t argue with the recycling or the continuing interest in play!

The bare room had a lot of promise, including this very sunny east facing window. All varieties of small birds come and perch along the windowsill to my daughter’s great joy. The campaign bed fit perfectly underneath it, leaving lots of play space as requested. But my daughter felt something special was needed, some pretty girly centerpiece to make the room special. I suggested bed hangings and some kind of fitted valance/canopy as the solution and she was hooked.

We went straight to images of Katie Ridder‘s whimsical bed hanging designs (and frankly, you know you are in trouble when your nine, soon to be ten-year old tells you she has a favorite designer). Here in Katie’s own daughter’s room she has installed the basic combination I am planning on – valance type canopy, roman shade for light control and ornamental bed curtains. It looks like there may be real curtains as well in the pink fabric although I am not planning to make those.

We knew for sure we wanted to pair two different fabrics, a solid and a pattern, just like all these examples.

This bedroom designed by Katie has to be one of the most pinned girls rooms ever and continues to be a favorite of mine. It demonstrates how successful this kind of arrangement can be with a daybed. I also love the idea of a small light fixture tucked into the canopy and you can just see the pierced brass lamp peeking out here. Many of these brass globes with scrolling arabesque pattern or karakusa were made in Japan and I am lucky enough to have a few.

I can’t resist showing how pretty this one looks in the stair hall. And I have another one if I wanted to use it over the bed.

Back to the topic at hand, Barrie Benson has a similar set of bed hangings made from an Indian block print in this lovely bedroom. I really like a soft fabric valance for my project, rather than a stiff pelmet.

All of the above designs have the canopies mounted to the ceiling. With the crown molding in the room, ours would need to be placed below it and I was a bit worried about whether or not that would look good. Inspiration examples were not hard to find, including Rebecca de Ravenel’s lovely blue and white New York apartment recently featured in Vogue. The dreamy soft canopy in her bedroom has just the feel I am going for.

Palmer Weiss used the same wallpaper as Rebecca in this oft blogged about show house bedroom which is another example with a daybed against the wall. Note that the box is also below the ceiling…

…as are these in another showhouse room by Elizabeth Dinkel.

Since I have arrived here in Doha I have been farming out projects to different upholsterers and fabricators to find the ones that I like and I think I have found the right person for these. Ironically Qataris love incredibly ornate over the top window treatments which means the skill set here is high. It’s just a matter of simplifying the fabrics and details. After a bit of searching through all the velvets and brocades I found a very nice cotton just the color of the walls (Benjamin Moore Silver Crest 1583). And as the client requested girly, I went into my stash (yes I even have a stash with me abroad) and pulled out a huge amount of yardage of an old and discontinued Rachel Ashwell Bemberg silk fabric called Trellis Rose or something like that. One of the main things we are planning on doing differently from all the examples above is reversing the fabrics – in other words, having the solid on the outside and the pattern as the lining. To jazz up the plainer exterior curtain and valance, I have found an elaborate and detailed trim.

For those of you who have been following me on Instagram, you’ve seen the incredible trims I have been finding here. Both vintage and new, made anywhere from Oman to India, designed for trimming abayas and saris, they are extraordinary and I have been incorporating them into decorating projects wherever I can.

I have one sweet ten year old who is very excited about hers!

Nov 18, 2013 By tokyojinja in Doha Move, Interior Design, Kids, Lighting, Textiles 5 Comments Tags: Barrie Benson, canopy beds, daybed, Elizabeth Dinkel, girls room, Katie Ridder, Palmer Weiss, Rebecca de Ravenel, sari trim, trim, valence, window treatments

Is It Copy Cat Chic? Or Is It Just Copying?

Lately the design press has been full of incredibly liveable eclectic spaces, none more so than this NYC apartment designed by formerly rising star – now arrived – Nick Olsen that was just featured in the August World Of Interiors. What caught my eye were the mass market bookshelves, the very same Ballard Designs Sonoma Bookcases I have in the TV room here at the shore.

Positioned on either side of the fireplace, they are beautifully arranged by color, but have a natural well-used character to them and not that overly styled look I am not a fan of.

I looked pretty closely at them because back when I got my Sonoma bookcase (on the left), I hadn’t realized that Mecox had their own version, the Provence Open Shelf Baker’s Rack (on the right) priced about 4 times higher – $499 versus $1995. Now ironically, the real Copy Cat Chic blog holds up the Ballard Designs Sonoma Bookcase as the expensive option, comparing it to lower priced similar versions from Overstock and the like. So it becomes a copy cat spiral from high to medium to low to lower.

I look back at this NY brownstone that Nate Berkus designed for Katie Lee, Billy Joel’s ex-wife, having assumed he used the Ballard Designs version, only to come to the conclusion that these look more like the Mecox Garden variety. So my question for you is whether this is such a classic vintage inspired shape, produced by many, or is it a copy of something original?

The bookcase has been on my mind because yesterday saw the installation of my long-awaited curtains in the TV room and I’ve been wondering if I should shift my bookcase over a bit.

As my long-term readers will know, I had been hemming and hawing over pulling the trigger and purchasing this Brigitte Singh Cream Hibiscus Branch fabric – choosing between it and its companion Hibiscus Flower Buta – until I almost missed out and was only able to get the final few meters available from Aleta Online last year. Luckily, my ingenious seamstress and I were able to come up with a plan to “stretch” the fabric, using a matching linen and framing the panels in such a way that I actually prefer it to just having used the one fabric.

Since buying my fabric over a year ago, I have become addicted to a fairly new online site called Jaypore, which is a bit like an Indian version of One Kings Lane and the other limited sales time sites. The prices are fabulous, many of the goods are really lovely and the shipping is free. One of the items that caught my eye was this bed sheet, which costs all of $35 and is 60″ x 90″, basically 3 meters long. That’s a lot of yardage for $35! In the right space you could line it to make very inexpensive curtains. I may cut it up to make Euro shams for my elder daughter’s new bedroom decor in Doha. Either way, it was a fabric bargain.

But the truth is that it is the Brigitte Singh Hibiscus Flower Buta pattern exactly – no bones about it – if you look below. Now what I don’t know and would love to, is whether these patterns are so traditional that they have entered into the cultural lexicon, or whether it is a unique design that has been copied, again a similar question to the one above. When I think back to the block print flower I used on the walls in my bathroom, I do know I have seen that particular flower pattern before and that there were multiples of the block available for purchase at the shop in Singapore. I think I’ll have to write to Aleta and ask her.

So how do you feel about copy cat chic? It’s a complex question as it addresses everything from income divides to intellectual property rights. I’d love to hear from you on the topic.

On a lighter note, for more on the Nick Olsen project, including this boldly colored dining room with its ship chandelier, head over to Mark D. Sikes.

And there is so much of this rich teal and blue going around these days, that I may have to revisit it in yet another post!

Addendum added August 15, 2013

I heard from Aleta and wanted to share her personal thoughts with you.

I just snuck a peek over at your blog and read your post on the Jaypore site and the ‘copycat’ issue, and as it’s quite an emotive subject with Brigitte Singh, who is the creator of your Cream Hibiscus fabric, I thought I should share a little more information as well as my own personal view on this very hotly debated topic.

From the beginning, Brigitte has always worked with the ancient motifs and floral designs of Mughal India to create her textiles. In some cases, her prints are faithful reproductions of historic textiles, using the ancient and traditional method of block printing to produce them. I don’t think Brigitte herself would ever suggest that she should have the exclusive right to print Mughal designs, but that is often how her point of view is interpreted by critics. In fact, where a design is taken directly from an archive reference, it is already often produced, quite legitimately, by other manufacturers -the Cream Pise, for example, is also made by Bennison in England, and Green Antelope by Caravane in France. I myself reproduce Mughal designs quite independently of Brigitte when it’s appropriate to do so.

The general argument for ‘copying’ is that the designs belong in the public domain as Brigitte’s original inspirations were sourced from designs that belong to no one, but the situation is more complicated than that.

Some prints like the Poppy, Cypress, and your Hibiscus have also been derived from historic textile pieces, but over the years Brigitte has refined the lines, changed leaves, colours, and subtly ‘tweaked’ the designs. This is when the issue becomes quite a grey area: Brigitte’s own printing blocks in the past have been stolen, these in turn have been recarved and recarved, and several ‘generations’ of printing blocks on, what you see being produced by some block printers in India are not reproduction Mughal prints, but reproduction ‘Brigitte Singhs’. Her printing blocks have also been used by the printers, without permission, to print for other companies.

Brigitte has built her reputation on two things: first, the quality of her textiles is completely and utterly unrivalled. This includes the printing process itself, from the skill of the block carving, to the fineness, accuracy and complexity of the actual printing; it includes the quality of the cottons and hand woven khadi that she uses to print on; finally, it includes the haute couture tailoring and exquisite attention to detail in her soft furnishing pieces and garments.

Second, the way that she puts together the disparate parts of various ancient designs -combination of borders, the layout and scale of motifs, and in particular her amazing use of colour, has created a very distinctive and instantly recognisable trademark. This is very personal to her, it has come from her own unique heart and soul, and it cannot be created by anyone else.

I would have no qualms about seeing or even purchasing the same print as one of Brigitte’s if I know that the original source of inspiration came directly from a historic textile piece (the exception to this is the Poppy, but I am irrationally protective about it because it was her very first and is still hugely popular), however I am concerned when I see her very particular combination of designs and colours being reproduced, often randomly and of poor quality, regardless of where Brigitte’s own original sources came from.

My personal feeling is that buying any ‘copy’ is ultimately a false economy -it will never compare in quality, or have the same sophistication, and it certainly won’t have provenance, although I try not to judge too harshly as I think we’ve all been guilty (if that’s even the right word) of it at one time or another. I do believe that you should always buy the best that you can afford -and if you can’t afford it, buy something different that you can afford and doesn’t compromise on quality. It is far better, creative, and honest to forge your own individual look based on the budget and lifestyle you have, rather than try to emulate someone else’s, possibly unattainable, style. But I’m starting to stray into social discussions far deeper than copyright! I’ll leave it there, and I hope I’ve provided some insight and not just gone on a long ramble. 🙂

Aug 8, 2013 By tokyojinja in Books, Movies & TV, Furniture, Interior Design, Renovation and Decoration Report, Textiles 2 Comments Tags: Aleta Online, Ballard Designs, Brigitte Singh, Copy Cat Chic, curtains, Jaypore, Mecox, Nate Berkus, Nick Olsen, Sonoma Bookcase, Sonoma Bookshelf, The World of Interiors, window treatments

A Little More Toran Goodness

Since writing my Provenance column on toran, I can’t resist sharing a few images, most off of Instagram, of toran I have stumbled across lately. It may be the usual selective perception, but I am noticing them everywhere. Anna Spiro, Australian designer and well-known author of the blog Absolutely Beautiful Things has one as a curtain valence in her new studio space. I love the way she has made coordinating curtains for it using a simple solid fabric trimmed with small tassels. As always, her spaces are an absolute cornucopia of colors and fabrics and her shop is one I have always wished to visit.

I had forgotten that designer Katie Ridder had done something very similar in her “zam zam room” (better known as the den) using a toran she and her husband found in Paris (of all places) hung with some custom designed portiere curtains made to match. The trim on the edges picks up the embroidery colors in the vintage textile and makes a cohesive whole. The entire mix with the Moroccan rug, poufs and mid-century furniture is great fun. Take a moment to notice the pom-pom trimmed lampshades covering what must be recessed lighting in the ceiling. That’s certainly one great idea for me for dealing with those ugly can lights in the new house in Doha!

On a totally different decorative note, ceramicist Frances Palmer posted this room up in Maine, with two similar but not matching toran hung in the windows of a bedroom with peeling crusty painted walls. So very John Derian!

And while these are all people I actually follow on Instagram, there are others out there posting toran, like this one in a teenage girl’s dreamy bedroom. It’s also an excellent reminder to all of us to remind our own kids to keep their accounts private!!!

And I spotted one recently as well. On my last outing to the Kawagoe shrine sale before leaving Japan, we had to eat in our favorite Indian restaurant of course. I had never noticed before, but there was a toran hanging over the doorway that leads to the bathroom.

There’s just nothing like a beautiful old textile to bring life and joy to a space. Don’t you agree?

Jul 3, 2013 By tokyojinja in Interior Design, Provenance Columns, Textiles 9 Comments Tags: Anna Spiro, embroidery, Frances Palmer, Katie Ridder, toran, window treatments

A Match Made in Heaven…Bennison and Ticking

All this writing and talk of ticking has helped me to my own small personal epiphany. I have been stalling on making the window valances in my elder daughter’s room at the shore for a while now, but have finally found the right person to construct them.

I have quite a few yards of Bennison‘s gorgeous Lilac linen earmarked for the project as the room has six windows – two sets of bays. The windows and the incredible light are really the focal points of the space and I only want something simple to frame them. In general, I don’t use curtains in the bedrooms at the beach, preferring plain roller shades for light control hidden behind the valances during the day. The rooms are all so petite that curtains just take up space and seem heavy for the lightness of the environment. I never understand beach projects with yards and yards of heavy curtains! It is also a great way to use less yardage of beautiful and thus expensive fabrics. I have been searching for the right person to make these as sometimes the fabric is so dear – both emotionally and/or financially – that the expense of the fabricating is less important than the fabric itself. The thought of them coming out wrong is unbearable because I simply couldn’t buy the fabric again, either because it was one of a kind vintage or just plain old costly.

The ceiling in the front bay behind the headboards is quite easy to deal with because it is just straight, but the side bay has a complicated ceiling and the corners of the window molding are cut off. I can’t tell you how many people came through my door and couldn’t or weren’t willing to work with me on solving the problem of those cut corners, suggesting ridiculous things like having the molding show above the valence.

My plan for the valances has been simple scallops which mimic the curvature of the headboards and the clover shaped night table in between the twin beds. The valence below is in Cath Kidson‘s bedroom in another wonderful Bennison roses pattern called Daisy Chain (you already know how much I love their Faded Floral and I’ll be showing how I used their monochrome blue Roses on beige linen soon). Kidson’s window is flat, so she is able to run a single piece valence with small scallops. My bays require a bit of a different treatment, with each window having one single large scallop.

Luckily my lovely new curtain lady understood exactly what I want, where I want them to start from and how I want them to hang. She took some iPhone photos and created this rendering. While lovely, it is a bit too fancy for me (and my daughter) with the green ruffle in between the scallops – too “decorator-y” if you know what I mean. That said, without some kind of border or contrast the Lilac fabric might look diffused, without punctuation, and I think that issue was what she was trying to solve by adding the secondary fabric. If you look back at the Cath Kidson photo, you’ll see there is a contrasting edging.

So in all these recent posts on ticking fabric I keep coming up with examples that mix well with Bennison florals and scallops. And it got me thinking…

Don’t I have some great lilac ticking put away in my magic fabric closet? And ridiculous me, don’t I have a photograph of it stored somewhere in my files?

Yes!

I don’t remember how much I have but this is real vintage ticking. What if the scalloped Lilac fabric was piped or bordered in it? I think that might be just the bit of sporty casualness it needs while also defining the edge of the large print. What say you all? For a little visual assistance, here is a mock-up, but keep in mind the scale and color is off.

I really enjoy these great monthly newsletters from Bennison – its easy to sign up for them if you are interested. There are always prettily styled photographs, like this one featuring the Lilac in this post as well as the newest Bennison design information. The most recent newsletter features the same photo of a room with ticking plus a Bennison floral pattern that I just used in my ticking post!

Oct 8, 2012 By tokyojinja in Interior Design, Renovation and Decoration Report, Textiles 14 Comments Tags: beach house, bedroom, Bennison, Bennison Lilac, ticking, valence, window treatments