Curtains and a Canopy for a Double Digits Girl

There is nothing like a big birthday and a move to spark a bedroom re-do. Both of my girls were due for a change, moving from their tiny closet sized bedrooms in Tokyo to their much more expansive bedrooms in Doha. The elder had a plan and a Pinterest board from the beginning. But the younger wasn’t sure of what she wanted when we first moved in. Personally I had a plan in my mind for a full size bed using this wedding noren as part of the bed hangings. Once settled, she had other ideas, mainly a desire to keep as much floor space as possible for play area, so a single bed against the wall made more sense. She quickly commandeered the French iron campaign bed and the painted French armoire from her sister’s room. She wanted to keep her Claire Murray Alphabet Garden hooked rugs (which have since become collectors items I am given to understand) because they are soft and provide interesting backdrops for imaginary play – and even nixed the idea of a Madeline Weinrib dhurrie. Can’t argue with the recycling or the continuing interest in play!

The bare room had a lot of promise, including this very sunny east facing window. All varieties of small birds come and perch along the windowsill to my daughter’s great joy. The campaign bed fit perfectly underneath it, leaving lots of play space as requested. But my daughter felt something special was needed, some pretty girly centerpiece to make the room special. I suggested bed hangings and some kind of fitted valance/canopy as the solution and she was hooked.

We went straight to images of Katie Ridder‘s whimsical bed hanging designs (and frankly, you know you are in trouble when your nine, soon to be ten-year old tells you she has a favorite designer). Here in Katie’s own daughter’s room she has installed the basic combination I am planning on – valance type canopy, roman shade for light control and ornamental bed curtains. It looks like there may be real curtains as well in the pink fabric although I am not planning to make those.

We knew for sure we wanted to pair two different fabrics, a solid and a pattern, just like all these examples.

This bedroom designed by Katie has to be one of the most pinned girls rooms ever and continues to be a favorite of mine. It demonstrates how successful this kind of arrangement can be with a daybed. I also love the idea of a small light fixture tucked into the canopy and you can just see the pierced brass lamp peeking out here. Many of these brass globes with scrolling arabesque pattern or karakusa were made in Japan and I am lucky enough to have a few.

I can’t resist showing how pretty this one looks in the stair hall. And I have another one if I wanted to use it over the bed.

Back to the topic at hand, Barrie Benson has a similar set of bed hangings made from an Indian block print in this lovely bedroom. I really like a soft fabric valance for my project, rather than a stiff pelmet.

All of the above designs have the canopies mounted to the ceiling. With the crown molding in the room, ours would need to be placed below it and I was a bit worried about whether or not that would look good. Inspiration examples were not hard to find, including Rebecca de Ravenel’s lovely blue and white New York apartment recently featured in Vogue. The dreamy soft canopy in her bedroom has just the feel I am going for.

Palmer Weiss used the same wallpaper as Rebecca in this oft blogged about show house bedroom which is another example with a daybed against the wall. Note that the box is also below the ceiling…

…as are these in another showhouse room by Elizabeth Dinkel.

Since I have arrived here in Doha I have been farming out projects to different upholsterers and fabricators to find the ones that I like and I think I have found the right person for these. Ironically Qataris love incredibly ornate over the top window treatments which means the skill set here is high. It’s just a matter of simplifying the fabrics and details. After a bit of searching through all the velvets and brocades I found a very nice cotton just the color of the walls (Benjamin Moore Silver Crest 1583). And as the client requested girly, I went into my stash (yes I even have a stash with me abroad) and pulled out a huge amount of yardage of an old and discontinued Rachel Ashwell Bemberg silk fabric called Trellis Rose or something like that. One of the main things we are planning on doing differently from all the examples above is reversing the fabrics – in other words, having the solid on the outside and the pattern as the lining. To jazz up the plainer exterior curtain and valance, I have found an elaborate and detailed trim.

For those of you who have been following me on Instagram, you’ve seen the incredible trims I have been finding here. Both vintage and new, made anywhere from Oman to India, designed for trimming abayas and saris, they are extraordinary and I have been incorporating them into decorating projects wherever I can.

I have one sweet ten year old who is very excited about hers!

Nov 18, 2013 By tokyojinja in Doha Move, Interior Design, Kids, Lighting, Textiles 5 Comments Tags: Barrie Benson, canopy beds, daybed, Elizabeth Dinkel, girls room, Katie Ridder, Palmer Weiss, Rebecca de Ravenel, sari trim, trim, valence, window treatments

Toran on Provenance at Cloth & Kind

prov-e-nance ˈpräv-nən(t)s, ˈprä-və-ˌnän(t)s
noun. the place of origin or earliest known history of something.

My obsession with ethnic textiles continues, this time in a new Provenance post over at Cloth & Kind on toran, the embroidered and embellished door hangings from Northwest India. There is nothing I like better than a little repurposing and they are ripe for it. Why confine them to the entrance doorway? What about a window valence…

…or a divine bed canopy?

Please head over to Cloth & Kind to read the full details – I know this is a column you won’t want to miss! Leave a comment there if you are so inspired!

On the same note, if we are talking obsession or inspiration, I realize I have not mentioned Australian stylist, author and self-proclaimed bowerbird Sibella Court enough. Her books and her Sydney atelier, The Society Inc, so vividly encapsulate everything I love about life as a global nomad and collector. In these last weeks, every time I think of an image or an item I want to talk or write about, I turn to her and she has it! Toran as bed canopy? Yes. Giant abacus? Yes. Unlike many, she has spent time trolling the markets of Japan and never ceases to amaze me with what she picks up and how she uses it. Can we just stop and ogle this photo for a moment?

Copper rain chain, Sori Yanagi’s Butterfly Stool, temple book and old black and white photo portrait (this one Chinese though) all set against a faded bamboo fence. Sigh…

Image credits: 1-2. Pinterest, 3. Sibella Court, Nomad: A Global Approach to Interior Style

Apr 26, 2013 By tokyojinja in Books, Movies & TV, Guest Posts, Interior Design, Provenance Columns, Textiles 6 Comments Tags: bed hanging, Cloth & Kind, door hanging, embroidery, Krista Nye Schwartz, Provenance, Sibella Court, Tami Ramsay, toran, valence

A Match Made in Heaven…Bennison and Ticking

All this writing and talk of ticking has helped me to my own small personal epiphany. I have been stalling on making the window valances in my elder daughter’s room at the shore for a while now, but have finally found the right person to construct them.

I have quite a few yards of Bennison‘s gorgeous Lilac linen earmarked for the project as the room has six windows – two sets of bays. The windows and the incredible light are really the focal points of the space and I only want something simple to frame them. In general, I don’t use curtains in the bedrooms at the beach, preferring plain roller shades for light control hidden behind the valances during the day. The rooms are all so petite that curtains just take up space and seem heavy for the lightness of the environment. I never understand beach projects with yards and yards of heavy curtains! It is also a great way to use less yardage of beautiful and thus expensive fabrics. I have been searching for the right person to make these as sometimes the fabric is so dear – both emotionally and/or financially – that the expense of the fabricating is less important than the fabric itself. The thought of them coming out wrong is unbearable because I simply couldn’t buy the fabric again, either because it was one of a kind vintage or just plain old costly.

The ceiling in the front bay behind the headboards is quite easy to deal with because it is just straight, but the side bay has a complicated ceiling and the corners of the window molding are cut off. I can’t tell you how many people came through my door and couldn’t or weren’t willing to work with me on solving the problem of those cut corners, suggesting ridiculous things like having the molding show above the valence.

My plan for the valances has been simple scallops which mimic the curvature of the headboards and the clover shaped night table in between the twin beds. The valence below is in Cath Kidson‘s bedroom in another wonderful Bennison roses pattern called Daisy Chain (you already know how much I love their Faded Floral and I’ll be showing how I used their monochrome blue Roses on beige linen soon). Kidson’s window is flat, so she is able to run a single piece valence with small scallops. My bays require a bit of a different treatment, with each window having one single large scallop.

Luckily my lovely new curtain lady understood exactly what I want, where I want them to start from and how I want them to hang. She took some iPhone photos and created this rendering. While lovely, it is a bit too fancy for me (and my daughter) with the green ruffle in between the scallops – too “decorator-y” if you know what I mean. That said, without some kind of border or contrast the Lilac fabric might look diffused, without punctuation, and I think that issue was what she was trying to solve by adding the secondary fabric. If you look back at the Cath Kidson photo, you’ll see there is a contrasting edging.

So in all these recent posts on ticking fabric I keep coming up with examples that mix well with Bennison florals and scallops. And it got me thinking…

Don’t I have some great lilac ticking put away in my magic fabric closet? And ridiculous me, don’t I have a photograph of it stored somewhere in my files?

Yes!

I don’t remember how much I have but this is real vintage ticking. What if the scalloped Lilac fabric was piped or bordered in it? I think that might be just the bit of sporty casualness it needs while also defining the edge of the large print. What say you all? For a little visual assistance, here is a mock-up, but keep in mind the scale and color is off.

I really enjoy these great monthly newsletters from Bennison – its easy to sign up for them if you are interested. There are always prettily styled photographs, like this one featuring the Lilac in this post as well as the newest Bennison design information. The most recent newsletter features the same photo of a room with ticking plus a Bennison floral pattern that I just used in my ticking post!

Oct 8, 2012 By tokyojinja in Interior Design, Renovation and Decoration Report, Textiles 14 Comments Tags: beach house, bedroom, Bennison, Bennison Lilac, ticking, valence, window treatments