Anna Alma-Tadema

Artist Spotlight…Inlay and the Orientalist Painters

Lawrence Alma-Tadema? The Drawing Room, Holland Park 1887, Russell-Cotes Art Gallery and Museum (Bournemouth)

The Alma-Tadema painting from my last post is just one of many late 19th century works that feature an item of inlaid furniture. In that case, an inlaid Syrian chest figures prominently in a British home elaborately decorated in the style of the ‘the East’. Such furniture was also found in 19th century European paintings from a movement called Orientalism, which idealized views and scenes of the Middle East, North Africa and Turkey. Wildly popular at the time of their creation, these paintings fell out of favor, much like the Pre-Raphaelites, only to be re-appreciated at the end of the 20th century. Along the way they have stirred up much controversy about the patronizing nature of Orientalist views, but I am going to leave the politics aside and just share the decorative aspect of the paintings.

John Frederick Lewis’ Intercepted Correspondence from 1869 was a painting I looked at and perhaps should have included in my post on Iznik ceramics and the language of flowers. In it, a young woman is caught before her master with a bouquet from her lover. Much can be said about this work, but it is the elaborate mashrabiya, the dowel latticework covering the window openings and the small inlaid table on the bottom right side that catches my eye today. Over and over again, the key props in the work of the Orientalists are these types of screens, Iznik tiles, elaborate carpets and textiles, pipes, musical instruments and of course, inlaid furniture. In all of the paintings below, each one has the ubiquitous inlaid side table somewhere – be sure to spot them.

The 19th century painters aren’t the only ones to have a fascination with the east, for example 18th century Swiss-French painter Jean-Étienne Liotard visited Istanbul and painted numerous scenes like the one below, a formal precursor to these later works.

But the advent of easier travel and discovery created an insatiable desire for the exotic and painters were happy to comply. Lewis spent ten years living in Cairo, which gives his work a very authentic feel.

Arthur Melville, a Scottish painter, also traveled in Persia, Egypt and Turkey from 1880–82.

Austro-French painter Rudolf Ernst traveled to the Middle East in 1885. I am particularly intrigued by the bench in this painting as it is so reminiscent of the ones I recently purchased here. To see Ernst reusing his inlaid props over and over again, click here.

In 1858 English painter Frederick Goodall spent eight months in Egypt, and he returned in 1870. He continued with Orientalist themes throughout his very successful career.

One of the most common scenes painted was the interior of the harem and Lewis wasn’t the only one to paint it. These are clearly a fantasy view of the harem as the male painters would never have actually been able to enter the female spaces.

French artist Jean-Léon Gérôme visited Egypt for the first time in 1856. He too became fascinated with orientalist themes.

Jean-Léon Gérôme, Pool in a Harem c. 1876

This is just the tip of the iceberg when it comes to the Orientalists and I only included paintings with inlaid furniture in them for the sake of brevity and cohesion. I’m sure I’ll be returning to the subject sometime in the not so distant future.

If these richly adorned spaces have caught your eye, you must take a look at Bill Willis’s work in the 1960s and 70s for Yves Saint Laurent and Pierre Berge amongst others in Marrakech. There is a great piece in the The Wall Street Journal really worth perusing and exploring for anyone interested in design related to the Middle East and North Africa. The late Alberto Pinto has some amazing rooms (including this lavender one I am always going on about) in his portfolio and his hard to find book Orientalism. More recent fantasies include Veronica Webb’s Key West home in Architectural Digest and Howard Slatkin’s extraordinary Orientalist library in New York City.

And as for the actual painter of the Alma-Tadema painting at the very top of the post? I was utterly sure I was on to something and that his daughter Anna had painted it, so I dug deep and came up with this great post. It always feels good to be right! I also think I need to get the book she mentions, Artistic Circles: Design and Decoration in the Aesthetic Movement.

Apr 14, 2014 By tokyojinja in Artist Spotlight, Books, Movies & TV, Furniture, Interior Design 5 Comments Tags: Anna Alma-Tadema, Arthur Melville, Frederick Goodall, inlaid, inlaid furniture, inlay, Jean Etienne Liotard, Jean-Léon Gérôme, John Frederick Lewis, Lawrence Alma-Tadema, Orientalism, Orientalist, Rudolf Ernst

Inlay Then and Now…Syrian Dowry Chests

In addition to checking out housing and schooling, I was busy checking out the antiquing here in Doha on my ‘look-see’ (expat speak for a pre-move approval visit) last spring. I trolled the alleys of Souq Waqif, the central marketplace selling everything from delicious Iranian bread to stacks of cushions to tie-dyed baby chicks but not much in the way of antiques (or so it seemed at this first perusal). I turned a corner and under a colonnaded walkway stood this inlaid chest on triangular legs. These Syrian wedding trunks or sunduqs are highly decorated with mother-of-pearl inset between fine tin wires and sometimes additionally ornamented with brass or bone. They are one of the more common shapes found among antique inlaid furniture and you can see, while their ‘official’ use is as part of a bridal trousseau, they can obviously be useful to store just about anything.

Credited to Dutch born, but lifelong English resident painter Lawrence Alma-Tadema, this 1887 watercolor of his Drawing Room at Holland Park is a painting I have long had in my inspiration files. Alma-Tadema was famous for his hyper realistic oil paintings of Ancient Rome, Egypt and other Orientalist subjects – he was called the ‘marbelous’ painter for the perfection of his technique in depicting said stone. His own home in Regent’s Park was decorated in the high Aesthetic taste, an amalgam of styles and objects referencing Ancient Greek, Pompei, Byzantine and Ottoman Empires as well as Asian countries such as Japan. This still life of the drawing room is a quintessential example of the artistic taste of the period, with its exotic objets, portiere and Pre-Raphaelite portrait, and its main highlight – the inlaid Syrian dowry chest. [As an aside, I think this was actually painted by his daughter Anna, as she painted the other watercolor interiors of their home and this is not at all in the style of his oils. Take a look here and here at works credited to her and here for a large catalog of Alma-Tadema’s classical paintings. Let me know if you agree with me.]

What I love about the next image is how it shows on one hand, how much has changed in interior design, while on the other, how little actually has. While the overall look and palette may have simplified, the main players are the same in this bedroom designed by Windsor Smith for Veranda‘s Greystone Estate showhouse. The portrait above the sunduq is now an antiqued mirror – still in a luscious gilded frame. Exotic Asian objects line the top of the chest, in this case Buddhas, and the luxurious bed hangings stand in for the portiere.

In an even more paired down interior by Gerri Wiley in Traditional Home, the mother of pearl inlay sets a luminescent theme that is echoed in the chandelier, painting and soft silvery grays. I’m sure my Japanese glass fishing float junkies will notice the one bit of accent color.

Los Angeles based designer Anna Hackathorn uses one to add texture to a grouping in a very California bohemian great room. I think the raised legs of these pieces are what make them so useful and easy to work with.

Back on my home front, an artist friend here in Doha has created a modern still life with a Syrian dowry chest and her own work hung on a vintage wine bottle drying rack.

If you like the Alma-Tadema painting, be sure to watch for my next post featuring the 19th century Orientalist painters. They used inlay pieces as props all the time.

Apr 2, 2014 By tokyojinja in Artist Spotlight, Furniture, Interior Design 2 Comments Tags: Anna Alma-Tadema, Anna Hackathorn, chest, Gerri Wiley, inlaid, inlaid furniture, inlay, Lawrence Alma-Tadema, mother of pearl, sunduq, Syrian Antiques, trunk, Windsor Smith